Friday, February 17, 2023

#70: DOG DAY AFTERNOON (1975)

 

THRILL SCALE 1-10

10

HAVE I SEEN IT BEFORE?

Yes, many times

BEST SEQUENCE

The whole movie is great from start to finish, but the opening 20 minutes are pretty memorable, showing the initial bank robbery attempt and how quickly every single thing goes wrong. I also liked every scene between Al Pacino and Charles Durning

BEST LINE

"ATTICA! ATTICA! ATTICA!"

ROTTEN TOMATOES SCORE

96%

ROTTEN TOMATOES CRITICS CONSENSUS

"Framed by great work from director Sidney Lumet and fueled by a gripping performance from Al Pacino, Dog Day Afternoon offers a finely detailed snapshot of people in crisis with tension-soaked drama shaded in black humor."

IMDB SYNOPSIS

"Three amateur bank robbers plan to hold up a bank. A nice simple robbery: Walk in, take the money, and run. Unfortunately, the supposedly uncomplicated heist suddenly becomes a bizarre nightmare as everything that could go wrong does."

DIRECTOR

Sidney Lumet

MAIN CAST

Al Pacino, John Cazale, Charles Durning

THOUGHTS
  • This is the second Sidney Lumet movie I've reviewed. When I talked about 12 Angry Men, I wondered if I was goosing my thrill score because it's an undeniably great movie, while not perhaps as thrilling as some others. At times I wondered the same for Dog Day Afternoon, but I'm going for it. This is a tense, gripping, unpredictable movie, with amazing and realistic performances, especially from Pacino, and the fact that it's based on a true story just ties everything up in a bow. This is definitely one of my favourites, and despite having seen it many times before, I was completely engrossed once again
  • I don't entirely agree with the IMDB synopsis, since "bizarre nightmare" makes this sound like a stranger movie than it is. It's really quite grounded; the plot follows a logical sequence of events, and the actions of the characters make sense
  • I think it was an interesting (and good) choice to make nearly every character likeable to some extent. The would-be bank robbers, the bank employees, the bank manager, even Charles Durning as the main cop in charge. It comes across that Durning's Sergeant Moretti sees the situation they're in as the real problem to deal with, as opposed to the bank robbers themselves. Even the FBI agents who eventually take control of the situation aren't outwardly antagonistic, they're more just pragmatic with a job to do
  • For a movie that came out in 1975, I feel like it's ahead of its time in a couple of noteworthy ways. Firstly, it has a distinctly anti-cop stance. Aside from Charles Durning, the police officers who surround the bank seem to be pretty trigger happy. The real-life events which inspired this movie happened shortly after the Attica Prison Riot of 1971, in which 43 people were killed, mostly by law enforcement gunfire. Al Pacino's Sonny uses this as a taunt and as a rallying cry when he sees the cops reaching for their guns, shouting "ATTICA! ATTICA! ATTICA!" and, in the process, getting the crowd of spectators on his side
  • Secondly, the movie's depiction of gay, bi and trans characters is honest and sympathetic. While the real-life Sonny, John Wojtowicz, stated that the movie was only 30% accurate to the real events, he did say that Pacino's characterization of himself and Chris Sarandon's performance as his partner were accurate to real life
  • Although, one notable thing that changed from real life to movie, for obvious reasons: in real life the robbery was initiated with a ransom note that read, "This is an offer you can't refuse." Considering the bank robbers were played by Al Pacino and John Cazale, who had previously appeared in The Godfather, the source of this quote, it would have been kind of hilarious if they'd kept it in the movie
  • In his own quiet way, John Cazale makes a fair impact on the AFI list, appearing in three movies that we'll talk about, more than even Pacino, at two. Cazale will also be appearing in The Deer Hunter and the aforementioned The Godfather. The actor died relatively young from lung cancer at 42, but every single movie he was in was nominated for the Best Picture Oscar - this one, The Godfather I and II, The Deer Hunter, and The Conversation. Dog Day Afternoon lost the Oscar to One Flew Over the Cuckoo's Nest, but it was in good company with a fellow nominee we'll be talking about much later, a thrilling little film called Jaws
  • The events of the movie take place on a hot afternoon in August, and you can almost feel the heat and the humidity. I said something similar about Body Heat a while ago, and it also brought to mind Spike Lee's Do the Right Thing, another movie with a very strong message about police brutality
  • Finally, I've decided that I'm going to start including the director and the main cast for each movie, because really there's no reason not to, and in fact I should have been doing this from the beginning. Moving forward, they shall be included!
Up next: Our second Western, The Wild Bunch. We'll see how it compares to The Magnificent Seven

Thursday, February 2, 2023

#71-D: SKYFALL (2012)

THRILL SCALE 1-10

9

HAVE I SEEN IT BEFORE?

Nope

BEST SEQUENCE

The first thirteen minutes, featuring car and motorcycle chases, heart-pounding stunts on top of a train, and a fateful gunshot

BEST LINE

After receiving his gadgets from Q

Bond: "A gun and a radio. It's not exactly Christmas, is it?"
Q: "Were you expecting an exploding pen? We don't really go in for that anymore."

ROTTEN TOMATOES SCORE

92%

ROTTEN TOMATOES CRITICS CONSENSUS

"Sam Mendes brings Bond surging back with a smart, sexy, riveting action thriller that qualifies as one of the best 007 films to date."

IMDB SYNOPSIS

"James Bond's loyalty to M is tested when her past comes back to haunt her. When MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost."

THOUGHTS
  • The movie as a whole is extremely entertaining, but man, that pre-credits sequence set a very high bar that I don't think the rest of the movie could clear. Non-stop action, and some of the best stunts of the four Bond movies I've reviewed
  • Runner-up best sequence is probably Bond's pursuit of Silva through the London Underground. The climactic assault on Skyfall had some exciting moments, but I wanted to like it more than I did
  • And speaking of things that I wanted to like more than I did, something about Javier Bardem's performance as Raoul Silva just didn't resonate with me, and I can't entirely place my finger on specifically why. I was even a little disappointed, as the general consensus seems to hold Silva as one of the best Bond villains. Hell of an entrance, though, with his introductory speech about rats on an island
  • There's a wealth of talent in the supporting cast. Judi Dench, Ralph Fiennes, Albert Finney, Ben Whishaw, Naomie Harris - they all had memorable moments and bounced off of Daniel Craig nicely. Naomie Harris, especially, had some sizzling chemistry with him, I thought
  • Also, the fact that Naomie Harris was playing Miss Moneypenny was treated as an end-of-movie reveal, which didn't really land with me since Wikipedia gives it away in the first paragraph (I usually have Wikipedia open to assist with my note taking when watching movies)
  • Adele's theme song might be my favourite Bond theme. It was also the first Bond song to win the Academy Award for Best Original Song, despite others previously being nominated, including "Live and Let Die," "Nobody Does It Better," and "For Your Eyes Only." "Skyfall" also kicked off a streak - the songs from Spectre and No Time To Die also won Best Original Song, for Sam Smith and Billie Eilish respectively
  • Gorgeous cinematography. Especially in the Shanghai scenes, I was reminded of the cinematography from Blade Runner 2049, a movie whose visuals also stuck with me. Appropriately enough, the great Roger Deakins was responsible for both 
  • I meant to mention it in my Casino Royale review, but it's just as relevant here - Daniel Craig has an excellent action movie star way of running 
  • And thus, we shall bid farewell to 007! I had a lot of fun with all four of the movies I reviewed, and the completist in me even has an urge to go back and run the series just for my own enjoyment, not for reviews. I probably won't do it anytime soon, but one of these days I might just throw on Dr. No and see how it grabs me
  • Oh, and one last thing before we move on. If you don't think the "James Bond Theme" is a kick-ass piece of music, then you don't get to watch the equally kick-ass gun barrel sequence 25 times

Up next: Back into the AFI list proper, with a favourite of mine. Al Pacino stars in Dog Day Afternoon, from 1975